NDLON in the News

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A Music Video Without Papers | The Nation

hen the band La Santa Cecilia and the National Day Laborer Organizing Network approached filmmaker Alex Rivera to create a new music video a few months ago, he jumped at the chance. “El Hielo” translates to “The Ice” in English—and references the Immigration and Customs Enforcement Agency, also known as ICE, and its actions that split families apar…

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New Music Video from La Santa Cecilia Hits Close to Home for Undocumented Cast

As Immigration Reform Again Takes Center Stage This Week…

LA SANTA CECILIA, in Partnership with Leading Migrant Rights Group and the Americas Business Council (abc*) Foundation, Spotlights the Real-Life Faces and Stories of Undocumented Immigrants with the Poignant New Video for Hit Single “El Hielo” (ICE)

Starring an Undocumented Cast of Key Figures in the Fight for Immigrant Rights, New Video by “Los Angeles’ Best Latin Alternative Band”, Directed by Alex Rivera, hits close to home for many.

In conjunction with the video’s release premiering today on VEVO, the band will now appear at immigration reform events on April 9th In Phoenix, Arizona, and April 10th at The U.S. Capitol Building in Washington D.C.

Watch the video at http://bit.lyelhielovid

 

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Immigrant Laborers Rebuild Work Center, Restore Their Sense Of Mission | Fox News Latino

They toiled to repair and rebuild the homes, s apartments and businesses that Hurricane Sandy damaged. They ran into areas where danger lurked — contaminated water, downed power lines, hidden debris capable of puncturing skin. And while the day laborers of Bay Parkway Community Job Center helped in the recovery of Hurricane Sandy, their own facility laid in shambles.  Sandy’s angry, unforgiving winds shook the old center, an 8-by-12 wooden shack, off its foundation, blowing it 100 feet away, causing major damage. But with grants from several foundations and the work of the laborers, the center was brought back to life. It is a renaissance of sorts for the center — now a 40-foot trailer the workers painted in red and yellow, the colors of the old shack — and also a new incarnation for the laborers and their place in the larger community.

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